Like the first Sand Dance, I was watching the kids fall into dance as they left the land behind and touched the water. On this early spring afternoon the air is clear and the colors are bright.
The tide is ebbing, leaving room for quiet chaos under the fog's blanket. This is a pretty big one at 40 x 64; I like sitting in front of it and falling in. Off season there are often many more dogs than humans on the beach.
"Lifeguards" has been selected for Cambridge Art Association's 2016 RED Biennial show, November 8 - December 21.
Opening reception Friday, November 18, 6 - 8PM, at University Place Gallery, 124 Mt. Auburn St., Cambridge, MA. Gallery hours are M - F, 9 - 5, Sat 9 - 1.
Last Sunday was a rain-out, but this Sunday looks lovely, so for those of you who couldn't make it, let's try again. Come see the art, the fall garden, and walk the beach. Thanks to those of you that did come last weekend. Saturday was a record turnout and, despite the rain, I appreciated those hard core fans that showed up with enthusiasm on Sunday.
A hot day is a good day for red and a hot date. Top it off with your orange bucket.
It's enlightening to watch children on the beach spontaneously begin to dance. They spin, run, and splash, feeling the water, sand, wind and heat of the sun (ok, I could have said earth, wind, and fire.)
The weather's looking good for the Cape Ann Artisans Studio Tour, May 21 & 22, 10 - 5 daily. Come see my new, spring work and take a stroll in our gardens (tip: if you're into birding bring your binocs - the warbler migration is in progress). The new work includes several 'atmospheric' pieces, like Low Tide (previous post), and then there's Good Harbor Water, a playful piece that leans abstract. My dog theme continues with Black, Red and White.Download a tour brochure and map here
Warm air pours over the cool, spring ocean at low tide, creating fog banks rising like dreams under a sleepy hat. This is one in a series of atmospheric pieces.
On Bonita Beach in January the Sanderlings run at your feet while the Pelicans glide overhead and the people go every which way, but usually north and south. No, we're not on Cape Ann anymore... This is a big one at 40" x 54", and took a good month or so to make. I keep tweeking things while it settles - this isn't the 'final' image anymore.
Just in time for the holidays, I got in two new greeting cards, "Brothers" and "East Breeze", bringing my offering to eight different cards. These are 4" x 6", blank, folded, with envelopes, in an attractive, clear box. You didn't know I had cards? To help with your last minute shopping I put together a secure online store. These are great stocking stuffers, or a nice, small gift for someone who appreciates sharing art. Take a look: https://squareup.com/market/robert-s-diebboll
My old friend Steve Ellis, with Cheryl and sons, came out to the studio this morning. The "boys", Daniel Ellis and Michael Ellis, are up and coming artists in NYC. Thanks, Steve, it was great to see you.
The studio is cleaned up and ready to show off the work, which I feel really good about - I think it's my best show yet. I usually get 100+ visitors and it's going to be great weather all weekend after last night's rain. Bring it on!
This is a small color study done plein air, standing high up on the Cape Hedge popple dune (rock pile) looking down on the incoming surf. I'm intrigued by the life and color transitions of a wave. The many influences on the color include the wave height, water depth and clarity (bubbles, sand), ground type (sand, rock, seaweed), water surface angle reflecting light from the sky and sun. Of course, water is clear with a reflective surface, so it's creating color from what's below it, in it, and above it. This is the frustration and fun of painting water. BTW, did you know that the color "blue" was never mentioned in texts like Homer's The Odyssey and The Iliad?
The long row of cottages at Long Beach, Rockport, sit on sand held up by a tall, concrete wall. How long will it last?
At high tide Cape Hedge Beach is pretty much under water. At low tide it widens to reveal a different landscape to rediscover every day. This is a large, complex piece developed over July and August.
It's a hazy, summer day, standing on the popple dune at Cape Hedge, everything picking up a little gold from the afternoon sun.